Scriptnotes Podcast

John and Craig finally become writing partners and edit the opening to one chapter of the upcoming Scriptnotes book live on-air. They wrestle with word choices, adapting the phrasing of a spoken conversation and finding a unified voice as they pass the keyboard back and forth.

We also catch up Craig on what he’s missed since he’s been away, follow up on #payuphollywood, and answer a host of listener questions on personal stories, backstories, sharing credit, Lifetime movies, and disliking your protagonist.

In our bonus segment for premium members, John and Craig deal out...

John welcomes back Mike Schur (The Good Place, Parks and Recreation) to ask, how do you fix an overwritten script? They discuss ways to rebuild scenes and restore muddy characters that have become burdened by too many notes, all while making sure your script retains its voice.

We also look at the new IATSE deal with the AMPTP, the WGA’s back-pay settlement with CBS, Skydance purchasing Paramount, and follow-up on our idea of keeping pages un-locked.

In our bonus segment for premium members, John and Mike listen to the AI generated songs named in th...

John and Craig welcome Aline Brosh McKenna to look at what writers mean by a “voice,” and how it develops.

Some screenwriters’ voice develops long before their craft, leading people to label them as “promising” even though the scripts themselves are a mess. Other writers get all the technical stuff right from the start, but have a hard time finding something distinctive about how they write.

From there, we segue into one of the most contentious Three Page Challenges we’ve ever done, with wildly split opinions.

In our bonus segment for premium members, Joh...

John welcomes Simon Rich (Man Seeking Woman, Miracle Workers) to look at how he crafts a comedic premise. Using his work on SNL, his time writing Inside Out at Pixar and his plethora of short stories, they look at how he develops a funny idea into a story with narrative and emotional punch.

We also follow up on the Harry Potter TV series, and answer listener questions on the downsides of writing in other mediums and adapting your screenplay into a novel.

In our bonus segment for premium members, how do you get your work...

John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience.

We also look at the summer box office, George Gallo’s Bad Boys lawsuit, Sony’s purchase of Alamo Drafthouse, and answer listener questions on bad ex-managers, second steps, NDA’s, fairies, and how to take advantage of downtime in LA.

In our bonus segment for prem...

In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working?

They look at how to connect your ending to your characters, crafting a twist that surprises (but doesn’t confuse), the function of the climax, the importance of the denouement, and how to make it all satisfying for your audience.

In our bonus segment for premium members, John and Drew welcome back Megana Rao to ask: do we still need reun...

John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to build something better, and how these programs find financial success in such a small and specialized market.

Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. They offer insights into quickly establishing information, those scenes that can be written but not film...

John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Are the shows still the shows they pitched? How has streaming changed since their shows first went on the air? And how do you plan for your series’ future?

They also answer listener questions on non-binary characters, past tense emotions in action lines, and how to make the most of a mentorship.

In our bo...

John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it memorable? And how do you make it work for your story?

We also discuss new requirements for loan-out corporations, follow up on streaming ads and AI-generated coverage, and answer listener questions on titles, exposition and disabled representation.

In our bonus segment for premium members, John and Craig check out OpenAI’s...

John joins Mike Birbiglia on his podcast Working It Out to share direct, practical screenwriting advice that you’ll actually use, whether you’re an aspiring screenwriter or you want to pursue creative work of any kind.

They explore John’s screenwriting process, from defining his expression “breaking the back of the script,” through the different forms of conflict and navigating the murky middle of the story. John shares the best writing advice he’s ever received, the screenplays everyone should read, what he appreciates in standup specials and why cool people aren’t funny. They also revisit the ga...